The Taker: Book One of the Taker Trilogy

By Alma Katsu

In the culture of Anne Rice and Elizabeth Kostova comes a hauntingly atmospheric story spanning numerous lifetimes—a love tale that includes alchemy, lust, and betrayal.

True love can final an eternity . . . yet immortality comes at a price.

On the middle of the night shift at a medical institution in rural St. Andrew, Maine, Dr. Luke Findley is awaiting a quiet night. until eventually a mysterious lady arrives in his ER, escorted through police—Lanore McIlvrae is a homicide suspect—and Luke is inexplicably interested in her. As Lanny tells him her tale, an impassioned account of affection and betrayal that transcends time and mortality, she modifies his lifestyles endlessly. . . . on the flip of the 19th century, while St. Andrew used to be a Puritan payment, Lanny used to be fed on as a baby by means of her love for the son of the town’s founder, and she or he will do something to be with him without end. however the fee she can pay is steep—an immortal bond that chains her to a negative destiny for eternity.

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And he's so, so appealing, the sight of him makes Luke unusually unhappy. the 1st photograph should have been taken in a vehicle, window down, his longish black hair swirling approximately his head and his eyes crinkled as he laughs on the girl taking the image, laughs at whatever Lanny has stated or performed. within the subsequent photograph, he's in mattress, the mattress they need to have shared at Dunratty’s, his head on a white pillow, back his hair falling over his face, lashes brushing his cheeks, the fitting blush of purple around the excessive ridge of his cheekbone. A glimpse of throat and the sticking out knob of a collarbone are obvious underneath a creamy white fold of sheet. After a minute, taking a look from photo to photograph, it happens to Luke that the attractive factor in regards to the guy within the pictures isn't the wonderful caliber of his face. It’s no longer his handsomeness. It’s whatever in his expression, an interaction among the savor his eyes and the smile on his face. It’s that he’s chuffed to be with the individual maintaining the digicam and taking the photographs. A lump varieties in Luke’s throat and he thrusts the desktop at Lanny. He doesn’t are looking to glance anymore. “I know,” the woman says, additionally choked up, giving in to tears. “It kills me to imagine he’s long gone. without end long gone. i think his absence like a gap in my chest. a sense i've got carried with me for 2 hundred years has been ripped away. I don’t understand how i'm going to cross on. That’s why i'm asking you … please stick with me a bit longer. I can’t be on my own. I’ll exit of my brain. ” She places the desktop at the flooring, then reaches for Luke’s hand. Hers is tiny and hot in his. The palm is damp, yet Luke can’t inform if the dampness is his or hers. “I can’t thanks adequate for what you’ve performed for me,” she says as she appears via his eyes and into him, as if she will be able to see what's swimming within him. “I’ve—I’ve never—I suggest, not anyone has ever been so strong to me. Taken a hazard like that for me. ” all at once, her mouth is on his. He closes his eyes and sinks his whole being into the nice and cozy wetness of her mouth. He falls backward into the spot at the mattress he had simply left, her approximately insubstantial weight falling on him, and he feels part of him tear in . he's horrified by way of what he's doing, but he’s desired to do that from the instant he first observed her. He’s unlikely again to St. Andrew, no longer but besides; he’s going to stick to her—how can he stroll away? Her desire for him is sort of a hook planted in his chest, pulling him alongside without problems, and he can't face up to. he's diving off a cliff into black water; he can’t see what’s ready under for him, yet he is aware there’s now not a strength on the earth which can cease him. TWENTY-SIX BOSTON, 1817 After listening to Adair’s tale, I withdrew to my room in fright. I crawled onto the mattress and tucked my knees less than my chin. i used to be afraid to remember the issues he’d informed me and that i attempted to push them away. Alejandro knocked, and while there has been no resolution, nudged the door again so he might slip in bearing a tray of tea and biscuits. He lit a number of candles—“You can’t sit down at midnight, Lanore, it’s ghoulish”—and then positioned a cup and saucer quietly at my elbow, yet i needed none of his hospitality.

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