French Cinema_A Critical Filmography: Volume 2, 1940-1958

This precious source by way of one of many world’s best specialists in French cinema provides a coherent evaluate of French cinema within the twentieth century and its position and serve as in French society. each one filmography contains a hundred and one movies indexed chronologically (Volume 1: 1929–1939 and quantity 2: 1940–1958) and offers obtainable issues of access into the impressive global of 20th-century French cinema. All entries include an inventory of solid contributors and characters, construction information, an outline of the film's cultural and ancient value, and a severe precis of the film's plot and narrative constitution. every one quantity comprises an appendix directory rewards earned and an intensive reference record for extra analyzing and learn. a 3rd quantity, masking the interval 1958–1974, is forthcoming.

Show description

Preview of French Cinema_A Critical Filmography: Volume 2, 1940-1958 PDF

Similar Film books

Conquest of the Useless: Reflections from the Making of Fitzcarraldo

“Hypnotic…. it's ever tempting to attempt to fathom his stressed spirit and his selection to problem destiny. ”—Janet Maslin, long island Times Werner Herzog (Grizzly guy) is without doubt one of the such a lot respected and enigmatic filmmakers of our time, and Fitzcarraldo is considered one of his so much venerated and favorite films. More than just Herzog’s magazine of the making of the enormous, tricky movie, which concerned, between different issues, significant forged adjustments and reshoots, and the hauling (without using lighting tricks) of a 360-ton steamship over a mountain , Conquest of the lifeless is  a piece of paintings unto itself, an Amazonian fever dream that emerged from the delirium of the jungle.

Stanley Kubrick's 2001: A Space Odyssey: New Essays

Just about all scholars have noticeable 2001, yet nearly none comprehend its inheritance, its complexities, and definitely no longer its ironies. The essays during this assortment, commissioned from a large choice of students, learn intimately a variety of attainable readings of the movie and its historic context. in addition they research the movie as a style piece--as the summa of technological know-how fiction that concurrently appears again at the technology fiction conventions of the prior (Kubrick begun taking into account creating a technological know-how fiction movie through the genre's heyday within the fifties), rethinks the conference in mild of the time of the film's production, and in flip alterations the glance and which means of the style that it revived--which now is still as trendy because it used to be virtually 4 a long time in the past.

Silencing Cinema: Film Censorship around the World (Global Cinema)

Oppression by way of censorship impacts the movie way more usually than the other mass media. together with essays via top movie historians, the booklet deals groundbreaking old learn on movie censorship in significant movie construction nations and discover such cutting edge issues as movie censorship and authorship, faith, and colonialism.

The Columbia Companion to American History on Film

American heritage has consistently been an impossible to resist resource of concept for filmmakers, and this day, for reliable or in poor health, such a lot Americans'sense of the previous most likely comes extra from Hollywood than from the works of historians. In vital movies corresponding to The start of a state (1915), Roots (1977), Apocalypse Now (1979), and Saving inner most Ryan (1998), how a lot is leisure and what kind of is rooted in historic truth?

Extra resources for French Cinema_A Critical Filmography: Volume 2, 1940-1958

Show sample text content

Pierre Kast, severe yet wary, notes easily that the govt. of the day appeared riven by means of contradictions, either monetary and political. No rationalization used to be ever recommend overtly for the cancellation, even though ultimately it used to be implied that Grémillon used to be proving uncooperative, bills had skyrocketed, and the undertaking was once uncontrolled. The opposite case can, as Kast indicates, simply as simply be made. it's very possible that the govt. was once changing into uneasy at being obvious to fund a left-wing movie director to make an outspokenly progressive movie at a time while postwar ideological currents have been relocating strongly opposed to the libertarian euphoria of war’s finish and towards the chilly conflict antagonism among Russia and the USA. higher to have fun the centenary of a conservative religion-oriented monarchist like Chateaubriand, whose Le Génie du christianisme for this reason received out over Le Printemps de los angeles liberté. As Kast reviews, “M Espivent-Vignoles has many neighbors. ” forty-one Grémillon had turn into, and used to be to stay, a doomed filmmaker. forty-one. Pierre Kast, “Introduction,” in Le Printemps de l. a. liberté (published script), 7–14. one hundred sixty French Cinema—A serious Filmography 49. Les Dernières Vacances (That final vacation) Filming started mid-April 1947; published 24 March 1948 ninety five min, b&w Dir Roger Leenhardt; Prod LPC; Scr Roger Leenhardt with Roger Breuil; Cinematog Philippe Agostini; song man Bernard; paintings dir Léon Barsacq; Sound René omit; Edit Myriam Borsoutzky; Act Odile Versois (Juliette), Michel François (Jacques), Pierre Dux (Valentin, Jacques’s father), Renée Devillers (Cécile, Jacques’s mother), Jean d’Yd (Walter), Frédéric Munie (Édouard), Christiane Barry (Odette), Berthe Bovy (Aunt Délie), Jean Varas (Pierre Gabard), and Raymond Farge (Augustin). At war’s finish a few filmmakers who had spent the struggle years directing documentary motion pictures pondered the circulate to add motion pictures. Cumulatively, had all of them succeeded in setting up themselves, they may good have created a French documentary neorealism, yet René Clément used to be by myself in succeeding during this objective. Georges Rouquier (Farrebique, #42) and Georges Régnier (Les Paysans noirs, #58) have been much less winning in attracting audiences, and again to directing brief movies. After making this unmarried characteristic movie, which likewise proved uncommercial, so did Roger Leenhardt, although lengthy later on he directed different characteristic movies. among 1934 and 1946, Leenhardt had produced and/or directed fifteen documentaries. Over approximately a similar interval (1934–1938 and 1944–1947), he were constructing a suite of filmmaking rules in his serious and theoretical articles for Esprit and l. a. Revue du cinéma. One commentary significant to his writing was once that the French cinema was once anguish a “crise du sujet”: definite thematic components have been thrashed, and a renewal of material used to be urgently wanted. together with his documentary history, no longer strangely he well-known that one attainable resource of this renewal was once (auto-)biography. Les Dernières Vacances, which he made once he was once given the chance and which he wrote and directed together with his brother-in-law and shut pal Roger Breuil, was once an intensely own film—a “confessional” film—based on Leenhardt’s personal early life within the Midi.

Download PDF sample

Rated 4.36 of 5 – based on 42 votes