Changing Direction: A Practical Approach to Directing Actors in Film and Theatre: Foreword by Ang Lee

Because 1988 she has been a member of the directing actors college of the Graduate movie department of Columbia University’s college of the humanities. on account that 1981 she has been creative director of Our Workshop East, a improvement fitness center for actors, writers, and administrators. altering path altering path a realistic method of Directing Actors in movie and Theatre Lenore DeKoven AMSTERDAM • BOSTON • HEIDELBERG • LONDON ny • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Acquisitions Editor: Elinor Actipis venture supervisor: Dawnmarie Simpson Developmental Editor: Becky Golden-Harrell Assistant Editor: Robin Weston advertising and marketing supervisor: Christine Degon Veroulis disguise layout: Cate Barr entrance hide photograph “Winding highway in Fall Black Hills, South Dakota” © Laurance B Aiuppy/Taxi/Getty pictures, Inc. Focal Press is an imprint of Elsevier 30 company force, Suite four hundred, Burlington, MA 01803, united states Linacre residence, Jordan Hill, Oxford OX2 8DP, united kingdom Copyright © 2006, Elsevier Inc. All rights reserved. No a part of this e-book will be reproduced, saved in a retrieval approach, or transmitted in any shape or in any way, digital, mechanical, photocopying, recording, or in a different way, with out the past written permission of the writer. Permissions should be sought without delay from Elsevier’s technology & know-how Rights division in Oxford, united kingdom: mobilephone: (ϩ44) 1865 843830, fax: (ϩ44) 1865 853333, e mail: permissions@elsevier. com. you can also entire your request on-line through the Elsevier homepage (http://elsevier. com), via deciding on “Customer help” after which “Obtaining Permissions. ” spotting the significance of maintaining what has been written, Elsevier prints its books on acid-free paper every time attainable. Library of Congress Cataloging-in-Publication information DeKoven, Lenore. altering path : a realistic method of directing actors in movie and theatre/Lenore DeKoven. p. cm. comprises index. ISBN-13: 978-0-240-80664-8 (pbk. : alk. paper) ISBN-10: 0-240-80664-6 (pbk. : alk. paper) 1. Theater—Production and path. 2. movement pictures—Production and course. I. identify. PN2053. D44 2006 792. 02’33—dc22 2005029190 British Library Cataloguing-in-Publication facts a list checklist for this e-book is on the market from the British Library. ISBN thirteen: 978-0-240-80664-8 ISBN 10: 0-240-80664-6 for info on all Focal Press courses stopover at our web site at www. books. elsevier. com 06 07 08 09 10 eleven 10 nine eight 7 6 five four three 2 1 revealed within the u . s . operating jointly to develop libraries in constructing international locations www. elsevier. com | www. bookaid. org | www. sabre. org Contents Foreword xi Preface xv Acknowledgments xvii 1 advent 1 2 The Actor and coaching 7 routines eight leisure workout eight focus 10 remember eleven experience reminiscence workout eleven keep in mind routines thirteen actual country of Being keep in mind 14 Emotional reminiscence workout 15 the tactic or a mode 17 three The Actor’s Vocabulary 21 existence wishes and Scene wishes 23 The Who Am I workout 25 Scene wishes 27 selecting the description 29 activities 30 hi How Are You workout 34 motion Verb record 39 vii viii Contents Shorthand verbal exchange forty-one extra Layers forty four guidance and Personalization forty five four The textual content and the Throughline forty seven The textual content forty seven participating with the author forty eight The Throughline 50 developing the Throughline 50 “Ordinary humans” as Prototype fifty five Writing the Throughline fifty six five research of Script fifty nine style fifty nine constitution 60 place of Characters sixty one The Arc sixty one The Givens sixty three 6 the nature define sixty seven Protagonist or Antagonist sixty seven research of personality sixty eight Making the alternative sixty nine 7 The Casting method seventy five the nature Description seventy five Casting assets seventy six different types seventy seven Articulating the outline seventy seven Casting administrators seventy nine analyzing the eight ϫ 10’s eighty two knowing the learning eighty four The Interview eighty five swish Rejection 87 Contents ix The Audition 89 the 1st interpreting ninety The Callback ninety three Casting kids ninety five Making the ultimate selection ninety seven including the digicam ninety eight Matching and Chemistry ninety eight eight The practice session procedure a hundred and one The desk interpreting one zero one Introductions 102 dialogue of the Throughline 104 participating with the Actors one hundred and five Scene-by-Scene practice session 107 circulate within the Scene and using Props one hundred ten beginning the Scene 112 The bounce Ball 112 the instant to second 113 speaking with the Actors 114 A pattern Scene 117 Designing the Arc 123 deciding upon wishes 124 practice session time table one hundred thirty Use of Improvisation 132 Nudity and intercourse 134 struggle and motion Scenes one hundred thirty five Rehearsing little ones 136 nine The Actor and the digital camera 139 trap the main points one hundred forty The digital camera as Actor one hundred forty identify Geography 141 number of Shot 142 The Eyes of the Actor 143 Close-Ups 143 variety of Takes one hundred forty four insurance a hundred forty five x Contents destinations one hundred forty five Adjusting to the digicam 146 Emotional call for 147 Nonactors 148 Imbalance 148 training Is every little thing 149 10 movie and Theatre: Similarities and changes 151 The Language: A Similarity 151 measurement: A distinction 152 changes 153 viewers 156 eleven What Do the Actors Say?