A View from the Bridge (Penguin Classics)

By Arthur Miller

Winner of the 2016 Tony Awards for most sensible Revival of a Play and top path of a Play: Ivo van Hove.

Set within the Nineteen Fifties at the gritty Brooklyn waterfront, A View from the Bridge follows the cataclysmic downfall of Eddie Carbone, who spends his days as a hardworking longshoreman and his nights at domestic together with his spouse, Beatrice, and orphan niece, Catherine. however the regimen of his existence is interrupted whilst Beatrice's cousins, unlawful immigrants from Italy, arrive in ny. As one among them embarks on a romance with Catherine, Eddie's envy and fantasy performs out with devastating results. This variation incorporates a ahead by way of Philip Seymour Hoffman and an creation by way of Arthur Miller. 

For greater than seventy years, Penguin has been the prime writer of vintage literature within the English-speaking global. With greater than 1,700 titles, Penguin Classics represents a world bookshelf of the easiest works all through historical past and throughout genres and disciplines. Readers belief the series to supply authoritative texts more suitable via introductions and notes by means of special students and modern authors, in addition to up-to-date translations via award-winning translators.

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EDDIE: yet you by no means knew no different fella, Katie! How may you're making up your brain? CATHERINE: reason I did. I don’t wish no one else. EDDIE: yet, Katie, think he will get picked up. CATHERINE: That’s why we gonna do it immediately. quickly as we end the marriage he’s goin’ correct over and begin to be a citizen. i determined, Eddie. I’m sorry. To Beatrice : may perhaps I take extra pillow circumstances for the opposite men? BEATRICE: convinced, move forward. basically don’t allow her put out of your mind the place they got here from. Catherine is going right into a bed room. EDDIE: She’s received different boarders up there? BEATRICE: Yeah, there’s men that simply came to visit. EDDIE: What do you suggest, came visiting? BEATRICE: From Italy. Lipari the butcher—his nephew. they arrive from Bari, they simply came the day prior to this. I didn’t even comprehend until Marco and Rodolpho moved up there prior to. Catherine enters, going towards go out with pillow situations. It’ll be great, they can all speak jointly. EDDIE: Catherine! She halts close to the go out door. he's taking in Beatrice too. What’re you, acquired no brains? you set them up there with different submarines? CATHERINE: Why? EDDIE, in a riding fright and anger: Why! How have you learnt they’re now not trackin’ those men? They’ll arise for them and locate Marco and Rodolpho! Get them out of the home! BEATRICE: yet they been the following goodbye already— EDDIE: How are you aware what enemies Lipari’s obtained? Which they’d like to stab him within the again? CATHERINE : good what’ll I do with them? EDDIE: The local is filled with rooms. Can’t you stand to dwell a number of blocks clear of him? Get them out of the home! CATHERINE: good perhaps day after today evening I’ll—EDDIE: now not the next day to come, do it now. Catherine, you by no means combine your self with anyone else’s relations! those men get picked up, Lipari’s susceptible to blame you or me and we acquired his entire relatives on our head. They acquired a mood, that relations. males in overcoats look outdoor, begin into the home. CATHERINE: How’m I gonna discover a position this night? EDDIE: Will you cease arguin’ with me and get them out! you're thinking that I’m consistently tryin’ to idiot you or sump’m? What’s the problem with you, don’t you suspect i'll examine your stable? Did I ever ask sump’m for myself? you're thinking that I acquired no feelin’s? I by no means instructed you nothin’ in my lifestyles that wasn’t in your reliable. Nothin’! and think about how you check with me! Like i used to be an enemy! Like I—A knock at the door. His head swerves. all of them stand immobile. one other knock. Eddie, in a whisper, pointing upstage. cross up the fireplace break out, get them out over the again fence. Catherine stands immobile, uncomprehending. FIRST OFFICER, within the corridor: Immigration! Open up in there! EDDIE: cross, move. Hurry up! She stands a second watching him in a learned horror. good, what’re you lookin’ at! FIRST OFFICER: Open up! EDDIE, calling towards door: Who’s that there? FIRST OFFICER: Immigration, open up. Eddie turns, seems at Beatrice. She sits. Then he appears at Catherine. With a sob of fury Catherine streaks right into a bed room. Knock is repeated. EDDIE: alright, take it effortless, take it effortless. He is going and opens the door. The Officer steps inside of. What’s all this?

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