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Additional info for The Red Screen: Politics, Society, Art in Soviet Cinema
97–8. Richard Taylor, “From October to ‘October’: the Soviet political procedure within the Twenties and its films”, in M. J. Clark (ed. ), Politics and the Media (Oxford: Pergamon Press, 1979), p. 34. Marchand and Weinstein, L’Art dans l. a. Russie nouvelle, pp. 122–3. Lebedev, Kino, p. 164. Marchand and Weinstein, L’Art dans los angeles Russie nouvelle, p. 60. ibid. , p. fifty eight. Quoted from the Vechemiaia Moskva in Lebedev, Kino, p. a hundred and fifty five. ibid. , p. a hundred. Quoted in Jacques Henri, “Dernières nouvelles de Russie”, Cinémagazine, vol. four, no. 35 (29 August 1924), p. 350. I. Trainin, Kino-promyshlennost’ i Sovkino: Po dokladu na 8-ii konferentsii moskovskogo gubrabisa (Moscow: Kino-izdatselstvo RSFSR, 1925), p. 29. “British peeved through last of recognized London studio”, style, vol. sixty four, no. eleven (4 November 1921), p. 1; “Famous’ international hyperlinks of small help”, style, vol. sixty five, no. three (9 December 1921), p. 2; Indio, “Chief bar to construction in India is wanton waste; movies lack large appeal”, relocating photo international, vol. fifty four, no. 1 (7 January 1922), p. fifty seven; “Das Ende der Efa”, Lichtbildbühne, vol. sixteen, no. fifty two (29 December 1923), p. thirteen; “‘No international pictures’, new well-known avid gamers revenues slogan”, sort, vol. sixty nine, no. three (8 December 1922), p. 38. Leyda, Kino, p. 162; “Was das Ausland meldet”, Lichtbildbühne, vol. 15, no. forty five (4 November 1922), p. 28; “Was das Ausland meldet”, Lichtbildbühne, vol. 15, no. fifty two (23 December 1922), p. 30. forty half ONE: FROM POTEMKIN TO THE ELBE 28 29 30 31 32 33 34 35 36 37 38 39 forty “Was die ‘LBB’ erzählt”, Lichtbildbühne, vol. 14, no. 32 (6 August 1921), p. 29. See my Exporting leisure (London: British movie Institute, 1985), pp. 106–7, 133. See Vance Kepley, Jr. “The employees’ foreign aid and the cinema of the Left, 1921–1935”, Cinema magazine, vol. 23, no. 1 (Fall 1983), pp. 7–23; and Denise Hartsough, “Soviet movie distribution and exhibition in Germany, 1921–1933”, historic magazine of movie, Radio and tv, vol. five, no. 2 (1985), pp. 131– forty eight. “Was die ‘LBB’ erzählt”, Lichtbildbühne, vol. 15, no. 27 (1 July 1922), p. 29; “Neue Wege in Russland”, ibid. , vol. 15, no. 35 (26 August 1922), p. 28; commercial, Industrie-und Handels-AG, ibid. , vol. 15, no. forty (30 September 1922), pp. 41–3. “Neue Wege in Russland”. commercial, Deruss-Film, Lichtbildbühne, vol. 15, no. 38 (16 September 1922), pp. 60–1. commercial, IAH, ibid. , vol. 15, no. 38 (16 September 1922), pp. 50–1; Jahrbuch der Filmindustrie, Vol. 2 (Berlin: Verlag der Lichtbildbühne, 1926), p. ninety one; “Was die ‘LBB’ erzählt”, Lichtbildbühne, vol. sixteen, no. 1 (6 January 1923), p. 20. “Deutschland und Russland”, ibid. , vol. 15, no. forty-one (7 October 1922), p. 18. “Dafu”, ibid. , vol sixteen, no, 25 (23 June 1923), p. 28; commercial, Industrie-und Handels-AG, ibid. , vol. 15, no. forty-one (7 October 1922), p. fifty eight; “Der Lehrfilm in Russland”, ibid. , vol. sixteen, no. 27a(10 July 1923), p. three; “LBB Tagedienst”, ibid. , vol. 17, no. 37 (3 April 1924), p. 2. commercial, Deutsch-Amerikanische Film-Union AG, in Willi Münzenberg, Erobert den movie! Winke aus der Praxis für die Praxis proletarischer Filmpropaganda (Berlin: Neuer Deutscher Verlag, 1925), finish pages.