Selected Later Poems of Marie Luise Kaschnitz (The Lockert Library of Poetry in Translation)

By Marie Luise Kaschnitz

Translated through Lisa Mueller. poetry is dual-language on dealing with pages

selections from Neue Gedichte (1957), Dein Schweigen--Meine Stimme (1962), Ein Wort Weiter (1965), and Kein Zauberspruch (1972).

In spite of her renown in Germany as a exceptional poet in addition to a author of fiction and essays, Marie Luise Kaschnitz (1907-1974) is scarcely famous within the usa. this primary book-length translation into English of her paintings makes on hand a range of poems that date from the final twenty years of her existence and that articulate, within the translator's phrases.

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Chosen later poems of Marie Luise Kaschnitz. (The Lockert library of poetry in translation) I. Mueller, Lisel. II. name. PT2621. A73A26 831'. 912 80-7537 ISBN 0-691-06442-3 ISBN 0-691-01374-8 (pbk. ) POETRY, P U P ■ *« . U. S. basically / chosen Later Poems of MARIE LUISE KASCHNITZ Translated by way of LISEL MUELLER Lockert Library of Poetry in Translation PRINCETO N PAPERBACKS despite her renown in Germany as a exceptional poet in addition to a author of fiction and essays, Marie Luise Kaschnitz (1901-1974) is scarcely famous within the usa. this primary book-length translation into Eng­ lish of her paintings makes on hand a variety of poems that date from the final twenty years of her lifestyles and that articulate, within the translator’s phrases, “ the sluggish, painful self-discoveries that include time and soreness. ” In her creation Lisel Mueller discusses the poet’s lifestyles because it affected her poetry. Having remained in Ger­ many throughout the Nazi regime and global struggle II, Kaschnitz and different surviving writers turned vital voices in a literature of dedication desirous about confronting the imme­ diate earlier. From an prior voice that was once ex­ hortative and public, Kaschnitz grad­ ually followed a extra own and personal mode. After her husband’s dying, which left her devastated, she endeavored to grapple together with her divided self— her eager for demise and tran­ scendence and her usual energy and attachment to existence. As Ms. Mueller issues out, this shift from public to non-public allowed the poet and her in line with­ sona to come back jointly, as that they had no longer performed prior to, and to loose a lyrical voice that used to be uniquely hers. Lisel Mueller, a local of Germany and the writer of a number of volumes of poetry, is a school member— present­ ly on go away— of the MFA Writing seasoned­ gram at Goddard university.

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