*More content material than the other paintings on Hinduism ever published
*11 volumes masking the fantastic background of 1 of the world’s oldest cultures and religions
*Thousands of gorgeous and thoroughly researched full-color illustrations
*New biographies of the Hindu world’s significant leaders
*Contributions from over 1,000 distinctive historians, curators, professors, and different impressive experts
*Over 10,000 articles
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Additional info for Encyclopedia of Hinduism
Curiosity in Śaṅkara’s philosophy through a variety of Western Orientalists and Hindu reformers within the overdue 19th and early 20th centuries helped to set up non-dualist principles as very important resources for the highbrow renewal and interpretation of Hindu theology within the 20th century. the various key highbrow figures and authorities of Hinduism within the smooth interval – corresponding to Ramakrishna, his disciple Swami Vivekananda, Sarvepalli Radhakrishnan, Ramana Maharshi, Nisargadatta Raj, Sri Aurobindo and to some degree even Mahatma Gandhi, espouse a few kind of non-dualism as important points in their educating. might be greater than an individual, even if, it used to be Swami Vivekananda who succeeded in shooting the mind's eye of Hindus and Westerners alike along with his advocacy of non-dualism because the imperative theology of Hinduism and ‘spirituality’ because the defining characteristic of Hindu religiosity. See additionally: Ātman; Bhakti; Brahman; Buddhism, courting with Hinduism; Gandhi, Mohandas Karamchand; Ghose, Aurobindo; Hinduism, sleek and modern; Kashmiri Śaivism; Kṛṣṇa; Māyā; Purāṇas; Radhakrishnan, Sir Sarvepalli; Ramakrishna, Sri; Ramana Maharshi; Śaivism; Śaṅkara; Śiva; Upaniṣads; Vaiṣṇavism; Vedānta; Vivekananda, Swami; Yogavāsiṣṭha RICHARD KING additional analyzing King, Richard. 1999. Indian Philosophy: An creation to Hindu and Buddhist idea. Edinburgh: Edinburgh collage Press. Ram-Prasad, C. 1991. an overview of Indian Non-realism: a few significant Arguments of Advaita Metaphysics. Oxford: Oxford collage Press. Sharma, A. 1993. The Experimental measurement of Advaita Vedanta. Delhi: Motilal Banarsidass. AESTHETICS known as alaṃkāra (ornamentation/beauty), Sanskrit aesthetic concept (alaṃkāra śāstra) in India develops as a way to give an explanation for the aim of drama in addition to that of poetry. For early theoreticians, alaṃkāra implied either attractiveness in addition to good looks produced via ornamentation. within the first feel, alaṃkāra is inherent just like the guṇas (virtues/qualities), whereas within the latter it truly is produced throughout the manipulation of language or dramatic gesture to provide a selected impression. even if, a philosophical shift happened during this figuring out of the connection of alaṃkāra to the guṇas with the theoretical writings of Ānandavardhana (c. 9th century). with no denying the importance of alaṃkāra and guṇa to aesthetic adventure, he urged that even anyone with little education in technical concerns, yet with a maybe intuitive sensibility, should be moved to a classy adventure (Krishnamoorthy 1979: 123–25). This in fact means that there's something inherent within the murals which transcends its mechanics, be it poetry, drama or portray. Rasa idea Arguably, the main pervasive and influential Indian aesthetic idea is that of rasa, which makes its first visual appeal within the 6th bankruptcy of the second-century Sanskrit dramaturgical handbook Nāṭyaśāstra. The observe rasa actually ability flavour or have fun with. In aesthetic phrases, rasa is the results of the really apt conjunction of stimulus (vibhāva), involuntary response (anubhāva) and voluntary response (vyabhicaribhāva).