Joseph Frank's award-winning, five-volume Dostoevsky is widely known because the most sensible biography of the author in any language--and one of many maximum literary biographies of the earlier half-century. Now Frank's enormous, 2500-page paintings has been skillfully abridged and condensed during this unmarried, hugely readable quantity with a brand new preface by way of the writer. rigorously keeping the unique work's acclaimed narrative variety and mixture of biography, highbrow background, and literary feedback, Dostoevsky: A author in His Time illuminates the writer's works--from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov--by environment them of their own, old, and principally ideological context. greater than a biography within the traditional experience, it is a cultural heritage of nineteenth-century Russia, offering either a wealthy photograph of the area within which Dostoevsky lived and a massive reinterpretation of his existence and work.
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Additional resources for Dostoevsky: A Writer in His Time
The booklet used to be attacked vehemently from many aspects, the most criticisms being that it used to be extraordinarily long-winded, tedious, and its language too evidently an imitation of Gogol’s stylistic mannerisms. He was once cheered by way of the chance of an approaching severe crusade in his desire led by way of Belinsky, which might comprise long articles through Odoevsky and Sollogub (he now referred to as the latter “my friend”). “In me,” he had instructed Mikhail earlier than the radical was once released, “they discover a new unique present (Belinsky and others) . . . i'm going deep and look for the entire by means of studying the atoms, whereas Gogol grasps the complete without delay and hence isn't as profound as i'm. ”2 7. V. G. Belinsky in 1843 however the serious crusade in his prefer by no means materialized; and the essay that Belinsky released a number of weeks later in Notes of the native land should have proved a sour sadness. Even prior to the booklet of this text, Belinsky had all started to nourish reservations approximately Dostoevsky that he had attempted (tactfully yet unsuccessfully) to speak to the younger writer. throughout the summer season and fall of 1845, Dostoevsky was once demanding at paintings on his subsequent vital novel, The Double (Dvoinik), and components have been learn at Belinsky’s. Annenkov recalls that Belinsky “constantly drew Dostoevsky’s realization to the need of . . . buying a facility in rendering one’s innovations, ridding oneself of the complexities of exposition. ”3 Belinsky it seems that couldn't accustom himself to the author’s then nonetheless diffuse demeanour of narration with its incessant returns to what had already been stated. Dostoevsky, in line with Annenkov, “heard the critic’s innovations out in a temper of affable indifference. ”4 yet whereas he could have been self-confidently detached to such tentative feedback, made within the nonetheless pleasant and personal surroundings of the Pléiade, an identical recommendation had a wholly varied area whilst faced in chilly print. each notice of qualification struck a mortal blow at Dostoevsky’s boundless vainness and overweening experience of vanity. The Double used to be released in Notes of the homeland early in February 1846, and Belinsky’s article on Dostoevsky discusses either one of his works. the final view of The Double, like his view of negative folks, is very favorable. “For all people initiated into the secrets and techniques of artwork, it really is transparent at a look that, within the Double, there's much more artistic expertise and intensity of inspiration than in negative folks. ”5 however the unfavorable feedback is both unequivocal. “It is apparent that the writer of The Double has now not but received the tact of degree and concord, and, consequently, many criticize even terrible people now not with no reason behind prolixity, notwithstanding this feedback is much less acceptable right here than to The Double. ”6 Such comments have been immediately snapped up through the Pléiade and gleefully repeated. This used to be the instant that Dostoevsky suffered the serious apprehensive disorder observed prior, and the surprise of his unhappiness evidently contributed to his illness. “All this,” he tells Mikhail, “was hell for me for a time, and that i fell in poor health from chagrin.