By Adam J. Banks
DJs are versions of rhetorical excellence; canon makers; time binders who hyperlink prior, current, and destiny within the groove and combine; and intellectuals continually analyzing the background and present realities in their groups in genuine time. Banks makes use of the DJ's practices of the combination, remix, and mixtape as tropes for reimagining writing guide and the examine of rhetoric. He combines a few of the debates and tensions that mark black rhetorical traditions and issues to methods for students and scholars to embody these tensions instead of reduce them. This dedication to either honoring traditions and embracing futuristic visions makes this article special, as do the websites of research integrated within the exam: mixtape tradition, black theology as an activist circulate, daily narratives, and discussions of group engagement. Banks makes specific those connections, hardly present in African American rhetoric scholarship, to demonstrate how competing ideologies, vernacular and educational writing, sacred and secular texts, and oral, print, and electronic literacies all has to be introduced jointly within the examine of African American rhetoric and within the educating of culturally proper writing.
A impressive addition to the learn of African American rhetorical concept and composition reports, electronic Griots: African American Rhetoric in a Multimedia Age will compel students and scholars alike to consider what they be aware of of African American rhetoric in clean and valuable ways.
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Additional info for Digital Griots: African American Rhetoric in a Multimedia Age (Ncte/CCCC Studies in Writing and Rhetoric (Swr))
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