By Antonio Spadaro
This e-book, written by means of Antonio Spadaro, S.J., the Editor of La Civiltà Cattolica, has been translated by way of Maria approach, who makes a speciality of issues in terms of media and faith. the writer means that because the web has replaced, and is altering, the ways that we predict and act, it also needs to be altering the ways that we expect Christianity and its theology. To advance this subject, he makes use of the time period 'Cybertheology'.
Through the theoretical works of a number of authors, e.g., Marshall McLuhan, Peter Lévy and Teilhard de Chardin, he affiliates the suggestions of theology with theories which have been expounded on the net. His resources come from media stories and anthropology, in addition to theology. Spadaro additionally considers the hacker ethic when it comes to Cybertheology. How has the net replaced our proposal of theology? Has the web had comparable results at the contemplating Christianity that have been skilled after the improvement of different media technologies?
The publication goals to explain simply how considering has replaced or remained an identical in an period that's usually obvious as one within which the media's alterations have sped up. It considers either the positives and negatives that could be linked to the net in terms of Christianity and its theology.
Preview of Cybertheology: Thinking Christianity in the Era of the Internet PDF
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Extra resources for Cybertheology: Thinking Christianity in the Era of the Internet
10 If this sharing occurs at an appropriate second— resembling participation, whilst it has own resonance—the inspiration will be very fascinating, however the scan to which i'm referring doesn't foresee distant communion; it provides an ambiguity that's unresolvable whether it is lived in the course of reside celebrations, simply because there's a danger of alienation. If we proportion our personal adventure with others who're absent, we'll turn out neglecting what we live with the devoted who're current. The experience of participation—as enjoying a party that's totally now not reducible to its mental elements or to the stimulation into which the experience of partaking in a online game is reworked (see Highland and Yu 2008)—must even be mentioned. the elemental threat that turns out joined to the adventure of the liturgy on the net is that of a circulation of “magic” that's in a position to fade away, till the feel of group and ecclesial mediation that's incarnated is canceled, on the way to exalt in its place the function of the know-how that makes the development attainable. what's the distinction among a dwell live performance on-line due to technology—which permits us an immersive adventure (fast connections, strong family audio gear and so on)—and a liturgical social gathering? right here, it truly is transparent that the broadest ques- Liturgy, Sacraments, and digital Presence seventy seven tions in regard to sacred liturgies and profane liturgies (which are those who are celebrated in stadia, giant exhibits, or concert events) start to emerge. even if, the extent of mirrored image that the internet calls for for the position of the know-how that makes the digital presence attainable in a context like ours, the place the media were set free within the usual atmosphere within which we are living, needs to cross extra. beneath, the “magic” capabilities of the net really include the negation of spatial distance, of permitting us to “grab” what's distant, to set up direct and efficacious touch with what's past our regulate, that is far-off in lots of methods. The Liturgy and Its Technological replica The query of liturgy on the internet is likely to be just like that posed in 1936 by means of Walter Benjamin concerning the murals within the age of mechanical copy. Benjamin (1999, 214) notes: “Even relating to a replica that's hugely perfected, there's a component missing: the hic et nunc of the murals— its special and unrepeatable lifestyles within the position the place it really is. ” in reality, “the hic et nunc of the unique constitutes the idea that of its authenticity. ” This “here and now” of the murals basically refers back to the ritual context of worship, tied to the temple, which was once then substituted via the museum. The magic of the know-how abolishes the gap of the hic et nunc, triggering within the liturgical act a dynamic for definite verses, just like these within the mechanical replica of the murals, because of which the main trustworthy reproductions are created during which there's every thing other than the paintings itself. the supply of contact expertise, that's, haptic expertise, makes this hazard much more tangible.